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The Art and Craft of the Costume Designer for Opera and ...

The Art and Craft of the Costume Designer for Opera and Ballet

Accademia di Costume e di Moda

Máster presencial

Roma (Italia)


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Duración : 1 Año

The Master’s course provides projects that simulate the learning path from iconographic research to the elaboration

of design up to the execution of the actual costume. Providing that all the elements are in place, the analysis of

fashion through the ages and the adaptation of these styles to the requirements of the performance.

The course deals with, in addition to all the artistic & creative issues, technical work, production related issues

involved in the realization of a performance through the analysis of the opera libretto, understanding the music

needs, the kind of choreographic, as well as technical and administrative aspects.

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Localización

Fecha inicio

Roma
Octubre 2017

Objetivos

This Master’s course is intended to deepen the cultural and professional training as a costumier from design to implementation. It ‘a path of intensive theoretical and practical studies, scientific research and laboratory workshop practice, offers the important design and technical tools to design, draping.

A quién va dirigido

This Master’s is aimed at those who have successfully completed a recognised first degree, in a subject area relevant to this course, and wish to study with the aim to seriously focus on a career towards costume design. (Industry Professionals, Students )

Temario completo de este curso

Theoretical and technical areas:
Image, shape and colour
Clothing evolution in the centuries
History and aesthetics of lyrical and ballet costume
Music and Theatre
Technical and scientific areas:
Script scrutiny and needs Tailoring budget
Research and Documentation
Illustration and design
Character sociology and psychology
The Jewel: design and applications
The Shoe
Materials
Make up and hair style
Technical and operational areas:
Laboratories: elaboration, research, invention and technical problem solving Cutting evolution in the centuries
Relations with production aspects of the play
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